Barbarians occupy a
special place in Sword & Sorcery fiction. In fact you could say
that S&S is largely responsible for the way we view barbarians
being very different from the way people used to. “Barbarian”,
was originally, after all, an insult. It was used to denote someone
uncouth, primitive, lacking in education, intelligence, and manners.
But in the early
20th century, a kind of different view of barbarians came
into vogue. Yes, they were uncultured, crude, and prone to solving
problems with violence, but they began to also be depicted as strong,
tough, independent and forceful. Often, in stories, they were
presented as being in many ways superior to more civilized, advanced
people, and a lot of this came from the American borderlands, which
are just where genre creator Robert E. Howard grew up.
Americans spent a
long time with a certain degree of inferiority complex with regards
to culture, especially when judged by European standards. There was
a sort of mini-genre of books written in the 19th century
by European travelers essentially making fun of how primitive
American culture was. Even the East Coast elites were too often
sneered at by Englishmen or Parisians, and the nation as a whole
started to get a bit of an attitude about it.
Because the extended
frontier phase of the nation’s formative years tended to celebrate
traits that are often associated with barbarism: fearlessness,
self-reliance, decisiveness, and a willingness to resort to violence
to get things done. A life on the middle border, or on the Texas
plains, did not leave much room for civilization. People did their
best, but life was hard and often unforgiving, and the people who
lived that way started to frown on the studied mannerisms of
so-called polite society.
Howard was a product
of this time and this place, and so his characters also shared a
distrust of civilized ways and a desire to keep things simple,
direct, and plain-spoken. Barbarians are a distinctly American style
of hero, because they follow their own code of honor, never ask for
help or mercy, rely primarily on themselves, and often believe the
best thing to do is call the play and fight.
Howard’s ancestors
were Scots-Irish, the last of the European barbarians, who had proved
intractable in their homeland and clung to clannish loyalties and
blood feuds. They brought their independent, hardscrabble, tough way
of life with them into the Appalachians, and then onward into the
West. Howard clearly romanticized his Irish ancestors, as Conan
himself was meant to be a kind of proto-Irishman. But sometimes even
that was not primally barbaric enough for him, and he wrote about the
Picts – a half-imagined race who were so obstinately primitive they
looked on the Cimmerians as too civilized.
Thus was born the
idea of the Fantasy Barbarian, an image and trope that is with us to
this day. Far from being seen as stupid or gullible, fantasy
barbarians are tough and resourceful. They may be filled with
contempt for civilization, but they are not bewildered by it. They
are fearless, dangerous, courageous, and loyal – which is quite a
distance from the original idea of barbarians as uncouth rubes who
never wash and wipe their asses with leaves. In a Sword &
Sorcery world if you want something done, get a barbarian.
Barbarians get shit done.
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