It’s
interesting how the Witcher franchise has become this kind of cultural
phenomenon, when the source material remains the least-known part of
it. Originally appearing in a series of books and stories by Polish
author Andrzej Sapkowski, the character gained momentum mostly due to
the series of well-recieved video games by Polish studio CD Projekt
Red, culminating in the 2015 game Witcher III: The Wild Hunt.
Now Geralt of Rivia has arrived in the mainstream in a major way via
his own Netflix series.
It’s
a circuitous route to fame, but I suppose it was inevitable with
every platform and network trying to make the next Game of
Thrones. Whatever you think of that show, GoT has been
instrumental in mainstreaming fantasy fiction, taking off from the
cultural moment brought about by the Lord of the Rings films.
Without the success of those movies, none of this would likely be
happening. Now we are living in a time when all kinds of fantasy
properties are being adapted for the wider world, and The Witcher
is certainly one of the most old-fashioned.
What
I find interesting about Geralt as a character is that he is a
straight-up pulp hero in the old style. He’s not uncertain of his
motives, and he doesn’t spend time philosophizing or doubting
himself. Like all the great pulp heroes he comes to us fully-formed,
and we don’t waste time on an origin story. Geralt is a badass
warrior, already a master swordsman who possesses superhuman physical
prowess as well as extensive knowledge of his trade. He’s good at
what he does, maybe the best, and he cleaves his way through his
world using violence as a solution to a lot of his problems. Like
all pulp heroes he is confident, determined, and fearless. We don’t
see him question himself or struggle to become skilled – we’re
already there.
Another,
rather welcome pulp characteristic is that Geralt gets a lot of
action. As opposed to modern protagonists who have one true love or
just seemingly never get horny, Geralt bangs hot chicks from here to
Nilfgaard, and both the character and the stories are entirely
unapologetic about it. You can argue that Yennefer is his OTP, but
their relationship is, at best, difficult. The fact that Geralt
won’t settle down for anything is yet another mark on the “pulp”
column. Pulp heroes might try to retire, but they never really do.
The
show is an interesting creation. Aside from Henry Cavill in the lead
role, the rest of the cast is mostly unknowns, or less-knowns. Freya
Allan is solid as Ciri, and Joey Batey’s Jaskier is a welcome dash
of comic relief. Jodhi May kills it as the hard-drinking,
iron-willed Queen Calanthe, and Anya Chalotra gets the best part as
the complex, multifaceted Yennefer, and her performance is just
stellar. She has an effortless charisma that just bleeds off the
screen every moment she is on it.
The
look of it is dirty and grungy, as befitting Geralt’s world, and it
also looks a good bit like Westeros, and though they do try really
hard to separate them, design-wise, the comparison is unavoidable. I
understand they had a rule not to cast anyone from GoT, and when they
have a dragon onscreen, you can tell they went hard to make sure it
didn’t look like Drogon. That said, the costumes and VFX on this
show are generally a cut below what HBO managed, and just retain that
TV-look, without the polish I would like.
The
first season is strongly episodic, as it is based on short stories
set before the main storyline of the novels. That’s another thing
that makes it stand out as pulp to me, as the episodes operate on
different timelines, skip over events and years between them, and
sometimes show the same event from different points of view.
The
Witcher is definitely and solidly a Sword & Sorcery show.
You have a dangerous, gritty world with no real moral center, and a
cast of characters who all exist in shades of gray. At the center is
Geralt, a dangerous, wandering adventurer who fucks and kills his way
through it all. Also in line with S&S is the lower-class
background of the main character. Geralt is not a prince or a knight
or an exiled king, he’s just a guy – or he started that way –
and he even has a job right there in the title. For all that he gets
involved in bigger stories, just as Conan did, at his base Geralt is
blue-collar, and he travels around looking for jobs that suit his
particular skills. A solid Sword & Sorcery pulp adventure
carried off with good performances and definite style.
I was disappointed with the Witcher. I thought I was getting a story about a guy who killed monsters. Instead, I get sonic the hedgehog's love story, something about a pig farmer's daughter, and a spoiled princess. Occasionally, there'd be Superman killing people with a sword. If it says, "Witcher" on the label, I'd like the Witcher to be on screen more.
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