This
was the very first of the Conan collections put out by Lancer books
and began the Howard renaissance which, in a way, is still going on.
Entitled simply Conan, it contains seven full stories as well
as one of Howard’s letters and part of his “Hyborian Age”
gazetteer which laid out the history and kingdoms of his imaginary
world. This volume was, essentially, a mass market introduction to
the world of Conan, and as such, some of the story choices are odd.
I
would think that a proper initiation into Howard’s world would
entail Howard’s own work alone, but only three of these stories are
full-blooded Howard stories, and only one is what I would call
first-rate. “The Tower of the Elephant” is one of the finest
Conan tales, with a fast-moving setup, some exciting action, and an
ending with unusual emotional range and a depth of pathos which shows
the young hero displaying mercy and empathy in ways he normally
didn’t. It’s also one of Howard’s most evocative tales,
dripping with atmosphere.
“The
God in the Bowl” is a strange story, though one I like very well,
as it is so atypical for Sword & Sorcery, being essentially a
locked-room murder mystery interpreted through a Hyborian lens. Some
consider this a minor Conan story, and it probably is, but it moves
quickly, and it has some genuinely creepy moments. “Rogues in the
House” is often held up as a great story, but to me it is pretty
average, detailing the rivalry between two noblemen in an unnamed
city-state. Conan is more of a side-character in this one, though
his battle with the ape-man is pretty badass. It’s a lot like a
Yellow Peril story done Conan-style, and it sometimes seems like
Howard enjoyed taking other genres and tossing his hero into them to
see what would break.
“The
Hall of the Dead” is made up of an unfinished fragment/outline
found in Howard’s papers and completed by L. Sprague de Camp to
make a pretty bog-standard Conan story. Conan goes off to find a
treasure, pursued by guys sent to arrest him. Hijinks ensue, there’s
a monster, blah blah. It’s pretty bland.
Better
is “The Hand of Nergal”, another unfinished piece completed this
time by Lin Carter. This one has some grit in it, and while I can
easily tell which parts were done by Carter, I have to say this is
some of the most evocative writing he ever did, and he manages to
keep the atmosphere of the story pretty well intact. He screws up
the ending, though, as he just has the evil artifact destroyed by the
good artifact while Conan stands and watches, taking away all the
drama he has built up.
The
other two stories are entirely original works by the Carter/de Camp
duo. “The Thing in the Crypt” is pretty good, and also seems to
have been a definite inspiration for part of the movie, as it details
a young Conan fleeing from hungry wolves when he slips into a hidden
tomb in the wilderness and finds a dead king with a sword in his
hands. Conan takes the blade, the dead guy gets up, and there’s a
fight. One assumes the dead king in the movie would have gotten up
for a fight if there’d been the budget for it. The closing tale,
“The City of Skulls” is another Carter/de Camp work that dwells
on Carter’s tiresome fixation with having his characters
imprisoned. It’s a dull story that drowns in a welter of ugly,
racist streotypes and does not bear much scrutiny.
Overall,
the choice of stories to put in this opening collection seems
strange, and I can only assume they had already decided on a run of
releases, and wanted to parcel out the good Howard stories over time
and not get stuck without anything of quality in the later books.
Some of the pastiche work is pretty decent here, and it’s obvious
this is one of the collections Oliver Stone read when he was working
on the Conan the Barbarian film script a decade later. Maybe
not a great collection, but a seminal one.
No comments:
Post a Comment