Howard pastiches
really kicked off in the late 1970s, and 1978 seems to have been a
kind of watershed year. The release of the beautifully-illustrated
but poorly-written Conan and the Sorcerer seems to have been
the starting point, but it was quickly followed by the short story
collection Conan the Swordsman that same year, which makes a
much more favorable impression.
Returning Conan to
his short story roots produces work much more in line with what
Howard created, and some of the stories here are surprisingly good.
The work here is credited largely to Lin Carter and L. Sprague de
Camp, though I tend to think de Camp did most of it, as you can
pretty much tell when Carter is writing, given his addiction to
faux-archaic words and sentence constructions that make the narrative
sound like Yoda is writing it. The style used by de Camp is much
more straightforward, and while he never manages that fever-pitch
quality Howard hit with his action, he does pretty well.
The stories here are
just classic pulp workouts that are entertaining even if they are
derivative. “Legions of the Dead” is a straightforward tale of
brutal violence and grim savagery, while “People of the Summit”
(rewritten from a story by Bjorn Nyberg) is just a great pulp story
by any measure, even if it does borrow more than it should from “The
People of the Black Circle”. “The Gem in the Tower” and “Moon
of Blood” are similarly gripping, bloody adventures, and even the
weaker stories here, like “The Star of Khorala” are readable.
One interesting
feature here are the in-between-story notations about the course of
the rest of Conan’s life. Carter and de Camp seemed to work at
putting the events of Conan’s life as depicted by Howard into some
kind of logical order and then set to filling in the gaps, as it
were. For instance, Howard tells us that Conan spent a great deal of
time as a pirate, but only one story - “The Pool of the Black One”
- really depicts an episode of his life during this period. Other
stories touch on it, but it remains an underexplored part of the
character, and thus ripe for pastiche and homage. “The Gem in the
Tower” is a very fine example of this, filling in a cracking
adventure while still fitting into the broader continuity.
From this start, the
business of detailing Conan’s life in more detail was off to the
races. Entire novels like The Road of Kings and The
Sword of Skelos filled in events we had only previously been told
about. It set the stage for how such works are handled even today,
though by now Conan has had so many adventures that one human
lifetime could never have time for them all.
The upside is that
this book contains some really good stories that manage to capture a
lot of the feel and mood of the genuine article. Too many authors
have stumbled through their Conan imitations, not seeming to really
care if they get it right, but unlike the weak Conan and the
Sorcerer, Conan the Swordsman successfully gives you a
reason to keep reading.
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